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Women and other visions - Judy Dater
'I'm obsessed with people's faces. I can't get enough.' (Judy Dater)
Judy Dater's use of the camera as an instrument to penetrate core psychologies has long since gained her international notoriety. Intensely personal and compelling, her provocative photographs capture the rawness beneath the surface aspects of her subjects.
Throughout a career that spans 40 years, technical diversity has been a staple. She has worked with Polaroid 20x20, digital cameras, and Adobe Photoshop to exhibit a wide range of looks, from collages to multi-pane treatments to pictures within pictures.
Her early photographs were created during a period of unfolding American feminism, when women displaying male frontal nudity was shocking and when a woman's approach to herself was complicated by social stereotypes. It was a time when women artists ceased censoring their own bodies, freeing their natural eroticism from male-defined pornography.
Dater's uninhibited portrayals of the female body broke through women's acculturated and socially constructed dissatisfaction with self. They were in sync, at the time, with the mythic body rituals of early femi-nist performance. In fact, she viewed photography as a type of performance, manipulating props and composition in the construction of a narrative.
Her provocative portraits lie in a median between Annie Leibovitz's evocations of social trappings and Diane Arbus' straightforward piercing of society's substrata. Dater examines how we define ourselves through social roles, bringing out her subjects' personalities by the dress and environments in which they are posed.
Her women not only break through identity fixations, but art barriers as well. By subverting the Victorian idealization of woman's passive vulnerability, her subjects are a far cry from paradigms of refinement and passivity. . .personified, for example, by the mythic dreamy images of Julia Magaret Cameron. Nor, as historically presented, glorified bodies for male fantasies. They are, rather, sophisticated beings, soulful, idiosyncratic and comfortable with their sexuality. The partially nude Maggie, for instance, gazes directly into the camera, insolent in her presumptive freedom. Her modernist forthrightness undermines stereotypical ideals of womanliness.
Dater cites as her influences the formalist styles of August Sander and Edward Weston, but she credits Imogen Cunningham as an important role model. In her 1974 photograph Imogen and Twinka, she portrays the fully dressed aging photographer eying a young nude model. . .a reversal of another historical favorite, dressed men eying nude girls. Contending that "pictures of other people are always sort of a self-portrait," Dater's sense of her own identity is reinforced by her interaction with her subjects. In her autobiographical explorations, her theatrical propensities once again come to the fore. Picking up on the ambivalence of her subjects, she confronts her own transformative sides through role-play. Photographs in a variety of guises and personalities, particularly stereotypical woman's roles, bear a close resemblance to the self-parodies of Cindy Sherman.
In the 1980s, nature became another avenue into the magical powers of transformation. The vast expanse of the New Mexico landscape, for one, became the canvas for a series of self-portraits. Women's relationship to nature was paramount in the ritualistic earth performances of artists such as Carolee Schneemann and Anna Mendieta. The biological and spiritual use of their bodies in nature was a way of tapping into symbolic manifestations of female power. Dater's splayed nude body against a serpentine symbol in Self-portait with Petroglyph reconnects her with ancient goddess figures. In Self-Portrait with Stone, her body blends with the rocky landscape. By connecting in a tangible way to the environment, she becomes part of the broader image of nature. Continuing to penetrate facades, her later portraits focus on close-ups. In large blurred images of Geraldine Fitzgerald, for example, Dater directly confronts Fitzgerald's transitory states of mind. The range of sensations registered on her craggy aging face is palpable. The props are gone. What remains is raw emotion. . .the essence of Dater's works.
(Elenore Welles)
Musica: Le chat de Schrödinger, 'L'ancienne vague', dall'album 'Le chat de Schrödinger'.
Vintage Photos Only Suitable for Mature Audiences
What generation are you a part of? And, what decade do you think was the best one to grow up in? Let us know in the comments section down below. ▬Contents of this video▬ 00:00 - Intro 0:36 - Maureen McCormick Looking Sour On The Set Of The Brady Bunch – 1972 1:21 - The Queen Of The Drag Race – Date Unknown 2:01 - Rock Stars Doing What They Do - 1972 2:42 - Daisy Duke Looking Flawless – Date Unknown 3:01 - Linda Ronstadt Left Little To The Imagination – 1976 3:40 - Who Didn't Dream Of Jeannie? - 1959 4:10 - Dick Cavett Couldn't Keep His Eyes Off Raquel Welch – 1972 4:43 - Goldie Hawn Was Pure Gold – Date Unknown 5:16 - Batman Looking Studly – Circa 1960s 5:42 - Step Up To The Plate With Kathy Ireland – Circa 1989 6:10 - Weird Science? More Like Sultry Science! - 1985 6:34 - Brigitte Bardot Still Makes Us Blush – 1956 7:12 - The Free Worlds First Supermodel – 1978 7:40 - Susan Sarandon Sits On A Ledge – 1988 8:12 - Poolside Natalie Wood – Circa 1950s 8:50 - Outro Like this content? Subscribe here: youtube.com/factsverse?sub_confirmation=1 Or, watch more videos here: youtube.com/playlist?list=PLkXAntdjbcSKgHx6EQVOwNKVz1cR2hKV It doesn't matter what generation you hail from. Whenever you say the word vintage, it always means the same thing. The word vintage is synonymous with the terms old-school, retro, old-fashioned, and antique. But perhaps one of the best things about old vintage stuff is getting the opportunity to see things that you were once too young to properly enjoy. Join Facts Verse as we take a stroll back in time while taking a look at some photos that we were probably a bit too young and naive to understand or fully appreciate when they first made the rounds. Some of these candid photos are pretty provocative, but nothing we're about to share with you constitutes material that is 'not safe for work' – but it definitely comes close. Vintage Photos Only Suitable for Mature Audiences
50 Amazing Vintage Photos Showing How Risque Ladies in the Early 20th Century Really Looked Like
50 Amazing Vintage Photos Showing How Risque Ladies in the Early 20th Century Really Looked Like The role of women had changed drastically by the end of the 19 th century. They were no
longer just housewives or a mere shadow behind men’s backs. Thousands of women all
over the world found freedom and empowerment in liberation from the chains that society
had placed on them.
A lot of these women expressed their newfound freedom through their bodies. We have
compiled a list of 50 amazing vintage photos from the early 20 th century that show just how
risque women were back then. A lot of these images were taken during the “Golden Age of
Hollywood” which lasted from 1915 to 1963. ❤️Subscribe for a 🍪: goo.gl/4etllm ❤️ HERE ARE THE BEST OF "TOP 10 THINGS" 37 Gross Wild West Hygiene Routines youtu.be/vZaVBNEj0JU 10 Notorious Female Outlaws Of The Wild West That Would Scare Any Man youtu.be/xICqtMIoAfw 25 Amazing Photos Showing Life in the 1850s youtu.be/sbi8DdUzsEE 20 Gross Victorian Era Hygiene Trends youtu.be/vbuTdZpeEYo 50 Photos of Victorian and Edwardian Women youtu.be/fPurOHq0Ufs Little Known Victorian Era Fashion Secrets youtu.be/jry9lxsVT1U 20 Gross Edwardian Hygiene Trends youtu.be/J-eKuvXN-QU Like this type of videos? Check out our other social media channels: 🔴 Follow our instagram: @Top10ThingsTo instagram.com/top10thingsto 🔵 Like our fb page: goo.gl/Wjxy7f 🔵 Join our fb group: goo.gl/mZpCF5 🔔Shop on our az store: goo.gl/viW3AH 👍 Check out these playlists with more beautiful content: ⇒ VINTAGE SECTION: rebrand.ly/r2nsf ⇒ PHOTOGRAPHY - Slideshows: rebrand.ly/mv96e ⇒ Nail Art Compilations: goo.gl/HW6Mjb ⇒ Lipstick Tutorial: goo.gl/G5XDVx ⇒ Top 10 Things: goo.gl/SF4AbJ Send us your video links via email and we'll put them in our compilations! Email: thepinkybusiness (at) gmail.com Copyright issue? Send us a message and we'll get it resolved. thepinkybusiness (at) gmail.com This video is about: 50 Amazing Vintage Photos Showing How Risque Ladies in the Early 20th Century Really Looked Like #vintagephotos #risqueladies #early20thcenturywomen
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